CONFERENCES & SYMPOSIA

The Museum is Always Open: Campus Public Art, Society for College & University Planning North Atlantic Regional Conference, jointly presented with Katharine Learned, Associate Vice President for Facilities Management & Campus Planning, Connecticut College, March 10, 2020.

The Medium is the Media: Protest Art and the Infiltration of Postwar American Periodicals, International Conference at El Museo Nacional Centro de Arte Reina Sofia, Madrid, November 30, 2018.

Newsstand Conceptualism: Contemporary American Artists, Periodicals and the Democratic Dissemination of an Artistic Idea, International Association of Word and Images Studies Triennial Conference, Lausanne Switzerland, July 13, 2017.

Self-Destruct: The Renounced Works of John Baldessari, Carl Andre and Donald Judd, Spring Fellows Colloquium, The Metropolitan Museum of Art, New York, March 31, 2017.

Benglis vs. Artforum: Vulgarity, Censorship and the Print Advertisement as Contemporary Art Object, Association of Art Historians Annual Conference, Edinburgh, United Kingdom, April 8, 2016.

Riotous Conceptualism: Satire, Commerce, and Advertising in Conceptual Art, Spring Fellows Colloquium, The Metropolitan Museum of Art, New York, April 1, 2016.

Art Inc.: Satire, Commerce and Conceptual Art, Popular Culture Association/American Culture Association National Conference, Seattle, March 23, 2016.

Ego-Seums or Jewel Boxes? The Contradictory Nature of Tax-Exempt Private Museums in the Twenty-First Century, College Art Association Annual Conference, Washington, D.C., February 6, 2016.

Artists, Advertising and Audacity: Lynda Benglis's Infamous Artforum Spread and the Controversial Role of the Female Body in Contemporary Art, The Rutgers Art History Graduate Student Symposium, April 10, 2015.

Your Art Here: Print Advertisements and Contemporary Art, 1964 to 1980, Works in Progress Lecture Series, The Institute of Fine Arts, New York University, October 21, 2014.

Your Art Here: Print Advertisements, Imaginary Galleries and Contemporary Art, 1964 to 1971, Parsons/Cooper Hewitt Graduate Symposium, April 11, 2014.

Learning to See: The Art Museum Goes to College, jointly presented with Katharine Learned, Director of Facilities, Northfield Mount Herman School, at the Society for College and University Planning North Atlantic Regional Conference, April 12, 2012, and the Mid-Atlantic Regional Conference, April 17, 2012.

The Art of Protest: A Study of the 1968 Student Demonstration Posters in Paris and Mexico City, University of Toronto Graduate Symposium, January 28, 2011.

INVITED LECTURES

Protest on Paper: Magazine Advertisements and Institutional Critique, guest lecture for undergraduate course “From Broadsheets to Blogs: Magazines, Art, & Public Culture,” at the Draper Program, New York University, November 3, 2020.

The History of American Minimalism, Postminimalism & Conceptualism, guest lecture for online postgraduate course “Mirar el pensamiento” at the University of Buenos Aires, Fall 2019.

Looking to See: Strategies for Engaging the Contemporary Public, guest lecture at ESI Design, New York, September 25, 2019.

Minimal Art, Maximal Impact: Radical American Art of the 1960s, “‘Dan Flavin: Espacio y luz.’ Seminario de arte sobre el minimalismo en América,” El Museo de Arte Moderno, Medellín, Colombia, September 11, 2019.

Modernism is Nothing, guest lecture in graduate course on "Nothing" in the Interactive Telecommunications Program, Tisch School of Arts, New York University, March 20, 2018.

Postmodernism is Nothing, guest lecture in graduate course on "Nothing" in the Interactive Telecommunications Program, Tisch School of Arts, New York University, April 16, 2018.